Leonardo da Vinci (1452 – 1519) is one of the world’s greatest thinkers, artists and philosophers. Seeking after perfection, he created rare masterpieces of art such as ‘The Mona Lisa’ and The Last Supper.’
In addition to art, Da Vinci studied all aspects of life from anatomy to mathematics and astronomy; his far-reaching investigations and discoveries sought to show an underlying unity of the universe. Da Vinci is considered to be a key person in the birth of the European Renaissance, which saw an emergence of new ideas, scientific discoveries and the creation of beautiful art.
Leonardo’s Universe | a National Geographic Documentary
Leonardo da Vinci – a History Channel Documentary
Documentary on the Anatomical Drawings of Leonardo Da Vinci
The Life of Leonardo da Vinci – TV mini-series (1971) Part 1 of 5
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A docudrama and mini-series that covers the full life story of the Italian artist and inventor, Leonardo da Vinci, from his birth to his death, starring Philippe Leroy.
Short Biography of Leonardo da Vinci
In 1466, he moved to Florence where he entered the workshop of Verrocchio. Initially, his formative style reflected his teacher but he soon developed an artistic sense which went far beyond his master’s rigid style. His first work of significance was the “Adoration of the Magi” commissioned by monks of San Donato a Scopeto. Although unfinished, the work was a masterpiece and introduced several new ideas. In particular, he introduced themes of movement and drama. He also pioneered the use of Chiaroscuro; this is the technique of defining forms through the contrast of light and shadow. This would be later used to great effect in the Mona Lisa.
“Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow.” The Notebooks of Leonardo da Vinci (Richter, 1888)
In 1482, Leonardo went to the court of Ludovico Sforza in Milan, where he stayed for 16 years. Here he continued painting and also branched out into other interest such as engineering and anatomy. During this period he painted the famous artworks “Madonna on the Rocks” and also “The Last Supper.”
The Last Supper has been described as one of the greatest religious paintings. With Christ at the centre of the picture, it embodies great feeling and emotion as Christ is about to announce his imminent betrayal by Judas. The painting is held at the Convent of Santa Maria Delle Grazie, Milan, but unfortunately over time the quality of the original painting has deteriorated, despite frequent restoration attempts.
Leonardo Da Vinci and Mona Lisa
In 1499, his patron L. Sforza was defeated by the French invasion, causing Leonardo to return to Florence. During this period, he painted the fresco of the Battle of Anghiari. This artwork was to exert tremendous influence over future artists. However, it was never completed and was later destroyed. It was also during this period that Leonardo completed The Mona Lisa. The Mona Lisa is one of the world’s most famous and intriguing pictures. The Mona Lisa is a portrait of a wife of a Florentine noble. For several days she came to Leonardo and sat for her portrait to be painted; however, she refused to smile. Leonardo even tried hiring musicians but to no avail. One day, just for a fleeting second, she gave a faint smile, and Leonardo was able to capture it. Her smile encapsulates a mysteriousness which is both fascinating and intriguing. Sri Chinmoy said of the Mona Lisa.
“That smile has immortalized her, immortalized the artist and immortalized the art. Artist and art have been immortalized by just a faint smile, a smile that has an enigmatic touch. Even now a soul-touch is there, and that soul-touch has conquered the heart of the world.” (1)
In the Mona Lisa, Leonardo masters the techniques of sfumato and chiaroscuro. Sfumato enables a gradual transition between colours – allowing delicate and expressive images. In the Mona Lisa, the use of chiaroscuro is evident in the contrast between her face and the dark background.
In this period Leonardo also extended his studies into engineering, science and other subjects. There seemed to be no end to his interests. He made copious notes in his complex mirror handwriting, much of which wasn’t deciphered in his lifetime. He also drew complex models of machines; in particular, he was fascinated by flight. He used to buy birds just so that he could release and enjoy watching them fly away. Da Vinci also attempted to build a flying object himself. Machines that he drew on paper, such as helicopters, would become a reality many centuries later. If his medicinal studies had been published, it would have revolutionised the science, as he was one of the first to understand the circulation of blood within the body. He also realised the earth revolved around the sun, anticipating the future work of Copernicus and Galileo. Da Vinci was driven to contemplate all aspects of life and the world, it left him with a great love and fascination with the universe.
“Here forms, here colours, here the character of every part of the universe are concentrated to a point; and that point is so marvellous a thing … Oh! marvellous, O stupendous Necessity — by thy laws thou dost compel every effect to be the direct result of its cause, by the shortest path. These are miracles…” The Notebooks of Leonardo da Vinci
Through different fields, Da Vinci sought to see an underlying unity in the universe and took an optimistic view of human potential.
“Things that are separate shall be united and acquire such virtue that they will restore to man his lost memory.”
The Vitruvian Man
This is a drawing of the proportions of man. Da Vinci used earlier work and notes by the Roman architect Vitruvius. The picture combines art, man and science – illustrating the beauty of geometrical proportions and the human form. It is symbolic of Da Vinci’s work, and the Renaissance he inspired, to combine these art forms into one diagram. In the simplicity of a line drawing, there are many different factors brought into play; it has become an iconic image.
Da Vinci fame grew during his lifetime, though he was not a wealthy man and he had to rely on the patronage of his patrons. This included powerful men, such as Cesare Borgia, who in the early 1500s demanded Da Vinci design instruments of war. Da Vinci designed a crossbow, prototype tank and ‘machine gun.’
Personal life of Da Vinci
Leonardo remained single throughout his life. He did not marry or have children. He kept his personal life private and shared few details. He was close with his pupils Salai and Melzi, but appeared to be mostly absorbed in his far-reaching investigations, work and paintings. In his day, contemporary reports indicated Da Vinci was a unique person, with a physical beauty, dignified presence and strong moral character. Da Vinci expresses his love of truth:
“To lie is so vile, that even if it were in speaking well of godly things it would take off something from God’s grace; and Truth is so excellent, that if it praises but small things they become noble.” The Notebooks of Leonardo da Vinci
His first biographer, Giorgio Vasari, writes on the person of Da Vinci in 1550.
“..Besides a beauty of body never sufficiently extolled, there was an infinite grace in all his actions; and so great was his genius, and such its growth, that to whatever difficulties he turned his mind, he solved them with ease.” (Source text)
A notable characteristic of Da Vinci was his wide-ranging respect and reverence for truth, life and living creatures. He adopted a vegetarian diet and would buy caged birds just so he could release them. He is quoted as saying:
“The time will come when men such as I will look upon the murder of animals as they now look upon the murder of men.”
Between 1506-1510, Leonardo spent time in Milan working on behalf of the very generous French King Lois XII. In 1513 he travelled to the Vatican, Rome where he enjoyed the patronage of the new Medici Pope, Leo X. Here, Da Vinci worked in proximity to contemporaries such as the great Masters Michelangelo and Raphael. However, an intense rivalry soon developed between the younger Michelangelo and Da Vinci.
The religion of Da Vinci
Despite being the patron of the Pope, Da Vinci was not an orthodox Catholic. Vasari writes of Da Vinci that he was:
“cast of mind was so heretical that he did not adhere to any religion, thinking perhaps that it was better to be a philosopher than a Christian.”
Vasari removed this quote in the second edition but, from his life’s work, we can see Da Vinci valued reason and was willing to question dogma passed down through the ages. Da Vinci wrote criticisms of the sale of indulgences by the Catholic Church. The religious paintings of Da Vinci also indicate a religious faith expressed in a non-conformist way. His Madonna on the Rocks incorporates a Virgin Mary, not dressed regally or surrounded with a halo, but simply dressed in the surroundings of nature. Da Vinci did believe in God, but his religious sensibilities were expressed through seeing God in art, science and nature.